Defoe

I know, i know, Defoe is current 2000AD and not in the 68-78 year range of this Blog.
But decided to say something here, not because its joint best strip in there for the last few years, but for the art by Leigh Gallagher.
In my book, Leigh is the natural successor to artists known for their stunning, moody b/w artwork such as Bunn, Font and Bradbury.
Leigh has gone on record as saying the artist that inspired him the most was Jose Ortiz on The Thirteenth Floor but, to my mind, his work on Defoe really recalls the work of Francisco Lopez on Janus Stark.
Both brilliantly use heavy black to convey mood, both use ultra-fine lines to detail a panel and, as seen in the examples here, both can create stunningly atmospheric city scenes, along with truly unique characters.
Thanks Leigh for keeping the spirit of the comics i grew up with alive.

My new Blog

Thought you might like to swing by and take a look at my new Blog - a bunch of rambles on what was important to the nipper me grwoing up in the sixties and seventies:

http://a60s-70schildhood.blogspot.com/

Starlord 8th July 1978

Thought i'd have a look at an issue at the very end of my 68-78 remit for this here Blog, an issue with a cover date of just a day after my 16th birthday and about the time i left school and became an adult (whatever that is).
So here we go then:
Absolutely no idea who did this rather abstract cover but, with the many artists from the Spanish studios prevalant at this time, i wouldn't be suprised if it came from those stables.
MIND WARS - A strip that really never went anywhere and took a long time doing so. And its strange - here we have 5 pages of the dreaded Jugla arriving at Earth, attacking it, then total war above the capital. The invasion is depicted in just 2 panels, while the war is, incredibly, just one.
The rest of the strip is devoted to endless whittering,pondering, and spouting of some really naff dialogue.
Still, Redondo's art, as usual, is top-notch.
RO-BUSTERS - A true classic of a strip, worthy of the praise heaped upon it for some of the tales.
Easy to overlook though that some were rather duff and just plain silly. Good example here, what with Ro-Jaws and Hammerstien finding out the leader of the robot band is human by discovering his y-fronts (really) and them crashing a song and dance number and no-one noticing. I'm hoping Pat Mills actually intended it to be just a bit of fun.
A trait of Pat Mills's writing is how he uses modern technology and current media prevalants. Which is all well and good - but don't 'arf date the strip. A while back we had the ABC Warriors bickering which was the best rock band, here we have references to Max Bygraves and Julie Andrews. Anyone under the age of 30 who picks up the graphic novel might have to Google.
Art here is pretty duff, but in keeping with the duff tale.
Lovethe next bit - Starlord gving out tips for his soldiers hardware. Grenade holders made out of egg boxes, "mini-nuke" grenades from sewing reels, and a "sub-space communicator" from two matchboxes stuck together.
How i miss those times.
STRONTIUM DOG - Still early on, so out and out SF strips, before focussing on Johnny and his past. And a true classic it is, with Ezquerra firing on all cylinders and a lovely colour spread.
PLANET OF THE DAMNED - I really like this strip. Think it was the sheer nastiness of it, the way characters are disposed of so quickly and easily, and how the art (by Azpiri) so suited the tale.
Bit like Zombo now.
TIMEQUAKE - A strip that always seems to be overlooked. Get past the Dredger clone spouting the crappest, cliche lines and its not half bad. Here Martin Bormann esacaping from the end of Nazi Germany by killing and replacing a Time Control operative taking a stroll back in time. Nice easy SF for a newly 16 year old with nice art by Salinas.
"AIEEEE!" WATCH:
An almost-there "Aieee!" from some sap blasted by Johnny Alpha.

Janus Stark - early mutant or lazy writing?

Something i'm noticing as i go through these tales is how Janus gets himself into a right old fix that his rubbery bones can't get him out of - and then utilises some weird talent never seen or referred to before to save him.
Two examples here:
He's in a cage with an attacking lion. He can't squeeze through the bars as he hasn't time and anyway, there's guards on the other side. What does he do? "summons a powerful new weapon to his defence... the weird hypnotic gaze".
The other example isn't getting him out of a fix, rather a way of providing payback to the fiend who'd so cruelly tormented him when he were a nipper. Rather than just fetching the Peelers, "the power of the universe seemed to leap from Starks' finger-tips"
What's going on here? Had the writers all along had him down as a multi-powered character? Or is it a case of needing to get out of a fix or needing to add something a bit different to make things more thrilling?
I'll be keeping and eye out for more finger-tip action and hypnotic gazes as i continue on

Valiant and TV21 - 1st Jan 1972

Lets have a random dip into me back issues box and see what we come up with shall we chums?
Starting off with the usual dreary cover which put me right off buying it in the first place, we have the following:
CAPTAIN HURRICANE. Never, ever read this strip. Think back then, even as a 9 year old, i'd decided war was war and comedy was comedy. And its a talented strip that can combine the two. And this ain't it.
YELLOWKNIFE OF THE YARD. A strip that started this week and i've never heard of before. And i can see why - a pretty duff tale of an American Indian becoming a detective at Scotland Yard with even duffer artwork. And the usual for the period racism - on the level with Little Plum, but in a dramatic setting. Can't ever see this being given a graphic novel.
JANUS STARK. Much more like it. The start of a new tale and here he is taking "... time to show his incredible feats to more humble communities cut off from the main world. In a tiny crofters village in the Scottish Highlands..."
And show off he does, interrupted by a hermet who the villagers reckon is a werewolf. Thats the first page. Here's the second, where Janus is attacked by the Wolfman. I've never read this strip and don't have part two but i'm reckoning, even though the beastie is wearing the hermits clothes, its all a deception. As far as i know, the supernatural never truely appeared in this strip. But i may be wrong. What's incredible here is that we have the set-up, characters introduced, a mystery, a bit of action and a setup for the next episode all in two pages.
RAVEN OF THE WING. A tale of a gypsy footballer. Not for me.
STAR TREK. An incredibly duff two-pager, with appalling art. Tssk.
THE SWOTS AND THE BLOTS. How i loved and still love this strip. Even when Baxendale was on the Bash St Kids, he never showed the sheer lunacy on display here. Brilliant, genius stuff that SO needs collecting. My children love this strip, though they find the usual ending of the teacher whacking the heck out of one of the kids backsides rather puzzling.
THE RETURN OF THE CLAW. Deeply into Crandell's SF phase now, with him battling alien robots. Not too good.
KELLY'S EYE. Rather a good tale this, where Kelly and the prof have travelled to an alternative Earth where their counterparts are nasty bad guys. Lovely art and a nifty sound efecct. "Spluunch" indeed.

My Biog Living Axe

Not a ramble on a comic true, but the big 2000AD site is having a show us your alien from the comic contest, so thought i'd dig this fella out from the back of the display cabinet and put him in.
Made it in the first place as, and i've mentioned this often enough here, when the Prog started Dan Dare was my favourite strip - and it was down to Belardinelli's brilliant design work, especially of the Biogs.
A stunning creation, worthy of a ressurection.

Best Of Battle - Rat Pack

Ahhh, this is where i settle down and REALLY start enjoying the book.
I've mentioned this strip quite a bit already here, so there's not a lot more to say on my thoughts for it.
What's interesting here is that we have the first few episodes and how quite crude Carlos Ezquerras art is. No idea how long the fella had been an artist before taking on this project but here, while the layouts are great, the faces and hardware really aren't up to scratch. Its curious - they're recognisably Carlos' work but look almost half finished.
No matter, it doesn't detract from the enjoyment - and there's a lot to be had. Highlight for me is Turks almost Wulf Sternhammer utterances as he dispatches Nazis - here we have him advancing on the German machine gun post holding a massive boulder above his head (as you do), havign enough breath in him to blurt out "Tremble Germans!" before flattening them, and choking a soldier to death with a lovely "Squirm German". Never noticed these before. Will have to have a look out to see if they crop up any more.
"AIEEEE!" WATCH: An "Aieee!" from one of the machine gunners squashed by Turks boulder (serves him right - a great big bear of a bloke advancing on you with a rock held above his head and you can't hit him????)
Another "Aieee!" from a bloke blown up.
A rather cut short "Aiee!" from a guard.

Best Of Battle - Day Of The Eagle

Moving on, we come to the much more enjoyable adventures of Mike Nelson. Can remember enjoying this back on its original run, partly due to a 13 year-olds spy obsession with the Man From Uncle and Bond shenanigans and partly by the crimingly over-looked art of Pat Wright.
His art stills holds up here in these representitive tales but reading as an adult, i can tell now how much its swiping from Day Of The Jackal.
Still, rollicking good fun.
"AIEEEE!" WATCH: None at all, not suprising as it has a curiously low body count. He is a covert ops guy after all.

Next up, "The Bootneck Boy", a tale i didn't take too back then - and things aren't changing now. Of interest to me only as being a prototype for Charleys War

Best Of Battle - D-Day Dawson

The book kicks off with one of my not-so favourite strips but an excellent, informative intro for it by then editor Pat Mills.
STUNNED that Dawson was the top character for a good while over the likes of Rat Pack.
Onto the strips and the first is the first. And here we hit the "went with it as a kid, but the adult in my goes huh?" wall (WWIAAK from now on). Dawson is shot on the D Day Landings and gets a bullet near his heart which'll reach it within a year right?
But who tells him this?
Some medical bod on the beach (we don't even know he IS a doctor - he just has the red cross armband) who tells him that.
How does the guy know?
Its a warzone, they're in a landing craft, he has no equipment to do any such examination. And if he did - cleanliness is right out the window (if the boat had them) so Dawson'd be dead a lot sooner than a year once the infections spread.
Anyway, passing over that, we have Dawson's first displaying of noticing something no-one else can spot, despite being shot and (presumably been opened up by the quack) - the boats going to be shelled.
Up he gets and out he jumps and off he swims.
Now, its the end of the world for me if i stub my toe but this guy is some sort of superhuman - gawd, what'd he be like if he hadn't been shot?
The first strip ends with him beginning his whole "i've nothing to lose i'm on borrowed time" mantra that he spouts every week. I suppose it meant to be noble but really comes across now as whiny. If you feel that bad about it, tell folk and get shipped back home you twonk.
Really, not too much pleasure from this batch, aside from Dawson machinegunning down a bunch of American troops who turn out to be Nazi's in disguise, spotting them because "their uniforms were too neat".
"AIEEEE!" WATCH:
A slightly shortend "Aieee!" in episode one.
A 100% "Aieeee!" from a paratrooper officer as he's shot and falls down a well.

Best Of Battle - at last

Stunned to actually find its finally out - waiting for its been like reading first run Miracleman all over again.
But, the waits worth it.
A bumper soft cover edition featuring a nice diverse selection of strips from the titles history,along with looks like nice informative introductory pieces, all other reading material has been put aside for now.
So expect ramblings on it quite a bit here.
I'll start though by just saying how nice it was to go into my local bookshop and see multiple comics.
I wish it, and the proposed solo collections, every success.
Titan i salute you.

Lew Stringers comic Blog

May i direct across the page here to "Sites Of Note" and the link to Lew's excellent site.
An authority on boys comics, a talented artist and a downright nice guy.
I hate him.